Academic Publication

Chan, H.M. (2018), Book Review: Between Still and Moving Images: Photography and Cinema in the 20th Century. Animation13(3), 254–257, Sage:

Chan, H.M. (2018), Book Review: Cinema Affairs: Fiery Cinema: The Emergence of an Affective Medium in China, 1914-1945” (Weihong Bao, 2015)Senses of Cinema, issue 88, October 2018

Chan, H.M. (2018), “Arthouse Cinema Audience’s Identity and Cultural Development Strategy”, Contemporary Cinema, 2018 Issue 2, No. 263, Beijing: China Film Art Research Center, pp.19-23 / [Chi]

Chan, H.M. (2017), Book Review: Film Criticism in the Digital Age (Matthias Frey & Cecilia Sayad eds., 2015)Digital Journalism, Volume 5, Issue 10, pp.1353-1354, Oxford: Taylor & Francis

Chan, H.M. (2017), Book Review: Revisiting Film Ontology: Cinema Approaching Reality: Locating Chinese Film Theory (Victor Fan, 2015), Senses of Cinema, Issue 82, March 2017, Victoria: Senses of Cinema Inc.

Chan, H.M. (2016), Book Review: The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain (Richard MacDonald, 2016)Historical Journal of Film, Radio and Television, Oxford: Taylor & Francis, DOI:10.1080/01439685.2016.1240908

Chan, H.M. (2016), Book Review: Cinema Approaching Reality (Victor Fan, 2014), Contemporary Cinema, 2016 Issue 12, Beijing: China Film Art Research Center / [Chi]

Chan, H.M. (2016), “Wayne Wang: Deconstructions of Identities”, in Berra, J. (ed.), Directory of World Cinema: American Independent 3, Bristol: Intellect, pp.268-271.

Chan, H.M. (2016), “Review: Striking Beauty (Barry Allen, 2015)”Martial Arts Studies Journal, 2016 Spring, pp. 110 – 112, Cardiff: Cardiff University Press

Chan, H.M. (2015), “Limehouse and its Haunted Nostalgia”, in Marten-Finnis, S., Maksymiak, M.A. & Nagel, M. (eds.), Promised Lands, Transformed Neighbourhoods and Other Spaces: Migration and the Art of Display, 1920 – 1950, Edition Lumière, pp.197 – 206.

Chan, H.M. (2015), Book Review: The Philosophy of Ang Lee (Robert Arp, Adam Barkman & James McRae eds., 2013), Film-Philosophy, Vol.19, pp.108 – 111, Edinburg: Edinburgh University Press

Chan, H.M. (2015), “Gong Li”, Berkshire Dictionary of Chinese Biography Volume 4, ed. Kerry Brown, Berkshire Publishing Group, pp.156-161.

Chan, H.M. (2015), “Editorial: Jazz and Cinema”Soundtrack, Volume 6, Issue 1, pp. 3-4, DOI: 10.1386/st.6.1-2.3_2.

Chan, H.M. (2014), “Conference Report: Dis-placing the East/West Binary: Aesthetic and Cultural Crossover in Film and Visual Culture 2013”, Alphaville: Journal  of Film and Screen Media, Issue 5, Cork: University College Cork

Chan, H.M. (2014), “Day Break Tian Ming (1933)”, World Film Locations: Shanghai, eds. John Berra & Wei Ju, Bristol & Chicago: Intellect, pp. 14-15.

Chan, H.M. 2014), “Queen of Sports / Ti Yu Huang Hou (1934)”, World Film Locations: Shanghai, eds. John Berra & Wei Ju, Bristol & Chicago: Intellect, pp. 18-19.

Chan, H.M. (2014), “Mobile Fantasy: Miyazaki‘s Transnational Magic” in Johnson, L. (ed.) Mobility and Fantasy in Visual Culture , London: Routledge, pp.91-101.

Chan, H.M. (ed.) (2013), 100 Years at the Phoenix: Archive of an Oxford Cinema 1913 – 2013, Oxford: Oxfordfolio

Alison, D., Chan, H.M. & Treveri-Gennari, D. (2013), The Phoenix Picturehouse: 100 Years of Oxford Cinema Memories, London: Picturehouse Publication

Chan, H.M. (2012), “Butterfly and Spinning Top” in Botz-Bornstein, T. (ed.) Inception and Philosophy (2011), New York: Open Court, pp.159 – 172.

*[Chi] refers to publications in Chinese language.